Volume 5 Chapter 58 What Are You Really Doing
When I turned around, I saw Sharla, who had changed into a familiar black dress, holding a curved sword called "Reaper," which was a parting gift from the god of the hell.
Her magic power, which was a beautiful blue color, shone around her like stars. However, there was no time to admire her as the Dragarts (Dragon Claw Knights) had already regrouped and launched a counterattack.
"Composite Formula Deployment!"
With Vice' command, a large magic circle appeared in the sky, not a flat one but a three-dimensional one.
In Asteris, various magical studies had been conducted during the long war, and one of them was the technique of combining multiple magicians to create one magic using a magic circle, called Composite Formula.
It was a weapon of mass destruction that was usually only seen in large-scale wars between armies.
The red and black magic circle turned into an eerie sphere, pulsing as if it was about to give birth to something.
I realized that the Dragarts were the best army in Asteris, and I had never seen them put together a composite formula of this size in such a short time.
Even if I try to stop it now, there's too much distance between us.
Then Vice gave the order,
"Release 'Iflelia (Fire Pit Penetration)'!"
The converged magic circle released a giant spear of flame that consumed the atmosphere as if piercing a hole in the sky.
It was an attack that was equivalent to a natural disaster.
Anything that came close to it would ignite, and anything that was hit by it would not burn, but disappear. The surrounding area would turn into a lava swamp too.
If I didn't completely shoot it down, Tsukiko and the others would be in danger.
That was when I raised my sword, and I heard a cool voice that contrasted with the scorching heat.
"Spiritual Penetration Art - Release!"
Once again, she said it as if it were a solemn prayer or a vow.
"The Phantom Sign ── 'Meikai (Open Hell).'"
The sun set, and night fell. The blue glow swallowed up the sky, the ground, and the flames, dyeing the world in her color.
What appeared before us was a world of ice. Frost covered the cobblestones, and the sky was dark because the sun was hidden.
Above all, "Iflelia" was looming over our heads. The spear of flame that was more than enough to destroy a city had completely frozen over.
Literally, the flame had turned into ice.
Ice arms that had grown from the walls and the ground grabbed the flame, completely sealing in its heat.
It was a magic I hadn't seen in a while. But it was still such a reckless magic.
And this "Meikai" is Sharla's magic.
She forcibly overwrote Finn's "Gajou (My Castle)" with her own magic.
It is a rough technique to expand the magic domain inside the magic domain of others.
Moreover, this is truly the land where Sharla lived, the "Hell".
Rather than reproducing the image, she actually connects the living world and the hell through magic.
It seems that it is impossible to interfere with a place where the god of the hell exists, but it is strange that the world of mythology can be brought into the living world.
Tsukiko and I are protected by Sharla's blessing, but the cold air of the hell freezes everything.
Even flames forget their heat and stop their flickering.
"...suppressed, huh?"
I heard a dissatisfied voice from behind.
Certainly, Sharla's "Meikai" only replaced it until the Dragarts.
With her magic, she should be able to turn this entire city into the hell.
"So Finn's "Gajou" was just that strong?"
"No, the strength of this magic isn't anything special. What stopped my magic was that white thing."
"The white thing, is it that ash?"
The ash that seemed to have been unfolded by Vice covered the front of the military like a thick wall.
Did that stop Sharla's magic? There may be a distance issue, but it's no wonder Glaive had a hard time.
It seems like it would be difficult to remove it from a distance.
Well, I didn't intend to do that from the beginning though.
I readjusted my sword.
The time for testing each other is over. From here on, I will clash head-on.
Now, let's do it, Dragarts.
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